ABOUT THE BOOK
The extraordinary #1 New York Times bestseller that was in movie theaters on November 15, 2013, Markus Zusak's unforgettable story is about the ability of books to feed the soul.
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
From School Library Journal
Starred Review. Grade 9 Up–Zusak has created a work that
deserves the attention of sophisticated teen and adult readers. Death
himself narrates the World War II-era story of Liesel Meminger from the
time she is taken, at age nine, to live in Molching, Germany, with a
foster family in a working-class neighborhood of tough kids,
acid-tongued mothers, and loving fathers who earn their living by the
work of their hands. The child arrives having just stolen her first
book–although she has not yet learned how to read–and her foster father
uses it, The Gravediggers Handbook, to lull her to sleep when
shes roused by regular nightmares about her younger brothers death.
Across the ensuing years of the late 1930s and into the 1940s, Liesel
collects more stolen books as well as a peculiar set of friends: the boy
Rudy, the Jewish refugee Max, the mayors reclusive wife (who has a
whole library from which she allows Liesel to steal), and especially her
foster parents. Zusak not only creates a mesmerizing and original story
but also writes with poetic syntax, causing readers to deliberate over
phrases and lines, even as the action impels them forward. Death is not a
sentimental storyteller, but he does attend to an array of satisfying
details, giving Liesels story all the nuances of chance, folly, and
fulfilled expectation that it deserves. An extraordinary narrative.–Francisca Goldsmith, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
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