Showing posts with label Neverwhere. Show all posts
Showing posts with label Neverwhere. Show all posts

Tuesday, September 15, 2015

Neverwhere discussion questions

Neverwhere Discussion Questions

Illustration by Jay Ryan
  1. In the first chapter, before Richard leaves for London from Scotland and months before he meets Door, a woman tells him he has a good heart and that “Sometimes that’s enough to see you safe wherever you go… But mostly, it’s not.” In what other ways does Neverwhere present the dilemma that kindness and safety are unrelated?
  2. London Below is made up of people who have fallen through the cracks. As an outsider to London who dislikes drawing attention to himself, does Richard belong in London Below? Is it his meek disposition and sense of displacement that drew him there in the first place?
  3. Why do you think Richard sees Door on the sidewalk when Jessica does not? Is it indifference to his fiancee and to his life in general that opens him up to Door and her world?
  4. Why is Door so attached to Richard when he is clearly in over his head? When Mr. Croup asks the marquis de Carabas why she permits the “upworlder” to travel with her, the marquis responds that “it’s sentimentality on her part.” Do you agree?
  5. Discuss trust among the characters in the novel, particularly in relation to the Angel Islington and the marquis de Carabas. Why does Door implicitly trust de Carabas, and does Richard trust him as well or just go along? As a reader, do you trust the Angel’s intentions early on in the novel?
  6. Is Hunter’s betrayal out of character for her? Do her actions at the end of her life redeem her?
  7. Why does the girl who escorts Richard to the Floating Market, Anaesthesia, fail to make it across Night’s Bridge? Hunter says that the bridge is only noises in the dark, and the only harm is done by one’s own fear and imagination. Is it Anaesthesia’s fear that takes her? And why didn’t the same happen to Richard?
  8. What traits about London Below strike you most? Conversely, how does Gaiman portray London Above? Are both worlds presented with positive and negative aspects? Are they direct opposites of each other?
  9. Old Bailey talks about how no one lives in the city now, and London Above is presented as somewhat sterile and cold. London Below, on the other hand, is a throwback to less sanitized city living, but is presented in a more attractive way in the end. What about the novel is a commentary on urban life?
  10. Do you think that despite his original fear and reluctance, Richard comes to enjoy himself in London Below? If so, when?
  11. When Richard has to undergo “The Ordeal” at the Black Friars’ it’s suggested that he’s been imagining all of London Below after a nervous breakdown of some kind in the “real” world. Do you think it’s possible that London Below is only a product of Richard’s imagination?
  12. At the end of the book, why does Richard choose to return to London Below? Does his newfound position as a hero in London Below make him more or less vulnerable?
From http://www.chipublib.org/neverwhere-discussion-questions/

Wednesday, August 19, 2015

September 2015: Neverwhere by Neil Gaiman

Andrea has picked "Neverwhere" by Neil Gaiman as our September book.


ABOUT THE BOOK
Richard Mayhew is a young man with a good heart and an ordinary life, which is changed forever when he stops to help a girl he finds bleeding on a London sidewalk.

His small act of kindness propels him into a world he never dreamed existed. There are people who fall through the cracks, and Richard has become one of them. And he must learn to survive in this city of shadows and darkness, monsters and saints, murderers and angels, if he is ever to return to the London that he knew.

"A fantastic story that is both the stuff of dreams and nightmares" (San Diego Union-Tribune), Neil Gaiman's first solo novel has become a touchstone of urban fantasy, and a perennial favorite of readers everywhere.

Amazon.com Review

Neverwhere's protagonist, Richard Mayhew, learns the hard way that no good deed goes unpunished. He ceases to exist in the ordinary world of London Above, and joins a quest through the dark and dangerous London Below, a shadow city of lost and forgotten people, places, and times. His companions are Door, who is trying to find out who hired the assassins who murdered her family and why; the Marquis of Carabas, a trickster who trades services for very big favors; and Hunter, a mysterious lady who guards bodies and hunts only the biggest game. London Below is a wonderfully realized shadow world, and the story plunges through it like an express passing local stations, with plenty of action and a satisfying conclusion. The story is reminiscent of Douglas Adams's The Hitchhiker's Guide to the Galaxy, but Neil Gaiman's humor is much darker and his images sometimes truly horrific. Puns and allusions to everything from Paradise Lost to The Wonderful Wizard of Oz abound, but you can enjoy the book without getting all of them. Gaiman is definitely not just for graphic-novel fans anymore. --Nona Vero --This text refers to the Hardcover edition.

ABOUT THE AUTHOR
Neil Gaiman was born in Hampshire, UK, and now lives in the United States near Minneapolis. As a child he discovered his love of books, reading, and stories, devouring the works of C.S. Lewis, J.R.R. Tolkien, James Branch Cabell, Edgar Allan Poe, Michael Moorcock, Ursula K. LeGuin, Gene Wolfe, and G.K. Chesterton. A self-described "feral child who was raised in libraries," Gaiman credits librarians with fostering a life-long love of reading: "I wouldn't be who I am without libraries. I was the sort of kid who devoured books, and my happiest times as a boy were when I persuaded my parents to drop me off in the local library on their way to work, and I spent the day there. I discovered that librarians actually want to help you: they taught me about interlibrary loans."



Neil Gaiman is credited with being one of the creators of modern comics, as well as an author whose work crosses genres and reaches audiences of all ages. He is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers and is a prolific creator of works of prose, poetry, film, journalism, comics, song lyrics, and drama.


Gaiman wrote the screenplay for the original BBC TV series of Neverwhere (1996); Dave McKean's first feature film, Mirrormask (2005), for the Jim Henson Company; and cowrote the script to Robert Zemeckis's Beowulf. He produced Stardust, Matthew Vaughn's film based on Gaiman's book by the same name.


MORE AT
http://www.neilgaiman.com/About_Neil/Biography