Friday, August 23, 2013

October 2013 book: Fat Profits

"Fat Profits" by Bruce Bradley will be our October 2013 book pick. I waffled between it and the adults books by J.K. Rowling -- but I think those I will save for another day when there aren't so many requests at the library for them!

I can't wait to read "Fat Profits"! I've been following the author's blogs and Facebook posts for awhile. He is a former insider at General Mills and offers quite the look at how our "food" is made these days. This is a novel that is built off his inside knowledge. Should fit right into our food theme :)


ABOUT THE BOOK

Ready for a real page-turning thriller that's sure to keep you up all night?

At a crossroads in his life after a bitter divorce, Andrew Hastings fights to prove he can be a great father while trying to climb the corporate ladder. Desperate to prove himself to his latest boss, Andrew works tirelessly to launch International Food & Milling’s revolutionary, new weight-loss product. However, when a colleague leaves him a cryptic voicemail minutes before her tragic death, Andrew starts asking questions that lead him down a deadly trail of corporate deceit. As the death count rises, Andrew realizes he’s the latest target, and he goes on the run to uncover the truth and save his family.

Showcasing an extraordinary blend of action and suspense with an insider's firsthand expertise of the food industry, Bruce Bradley’s debut novel is a heart-pounding thrill ride reminiscent of Michael Crichton’s finest work. Wrapped in a story of corporate misdeeds that’s all too common in today’s headlines, FAT PROFITS will have you glued to your seat until the very last page.


Monday, August 19, 2013

Gone Girl Discussion Questions

    Questions about the Book:
  1. In the first third of the book, did you think Nick was guilty? Why or why not?

  2. In the second part of the book, once you know the truth, what did you think was going to happen with Nick and Amy?

  3. Do you think someone could actually plan every detail of a set up or murder as perfectly as Amy did?

  4. What did you expect to happen after Amy returned? Were you surprised by her "final precaution?" Do you think that would truly be enough to get Nick to stay?

  5. Early on in the book, Amy writes in her diary: "Because isn't that the point of every relationship: to be known by someone else, to be understood?" (29). Toward the end of the book, on the night of Amy's return, when she is making the case for going forward together, here is what she says and Nick thinks:
    "'Think about it, Nick, we know each other. Better than anyone in the world now.'
    It was true that I'd had this feeling too, in the past month, when I wasn't wishing Amy harm. It would come to me at strange moments--in the middle of the night, up to take a piss, or in the morning pouring a bowl of cereal--I'd detect a nib of admiration, and more than that, fondness for my wife, right in the middle of me, right in the gut. To know exactly what I wanted to hear in those notes, to woo me back to her, even to predict all my wrong moves...the woman knew me cold...All this time I'd thought we were strangers, and it turned out we knew each other intuitively, in our bones, in our blood" (385).
    To what extent do you think the desire to be understood drives relationships? Do you understand how this could be appealing to Nick despite everything else?

  6. Nick stops strangling Amy and thinks, "Who would I be without Amy to react to? Because she was right: As a man, I had been my most impressive when I loved her -- and I was my next best self when I hated her...I couldn't return to an average life" (396). Is this believable? Is it possible for Nick to be more fulfilled in an extraordinary relationship where he is understood even if it is manipulative an dangerous?
  7. Questions about Life & Marriage Raised by the Book:
  8. Nick once muses, "It seemed to me that there was nothing new to be discovered ever again...We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show...I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view keener, the camera angle and soundtrack manipulate my emotions in a way reality can't anymore" (72). Do you think this observation is true about our generation? How do you think this affects relationships? How does it affect the way we live?

  9. Nick writes,"I got secretly furious, spent ten minutes just winding myself up -- because at this point of our marriage, I was so used to being angry with her, it felt almost enjoyable, like gnawing on a cuticle: You know you should stop, that it doesn't really feel as good as you think, but you can't quit grinding away" (107). Have you experienced this dynamic? Why do you think it feels good to be angry sometimes?

  10. At one point, Amy quotes the advice "Fake it until you make it." Later, Nick writes, "We pretend to be in love, and we do the things we like to do when we're in love, and it feels almost like love sometimes, because we are so perfectly putting ourselves through the paces" (404). Generally speaking, do you think this is good marriage advice? Do Nick and Amy disprove this advice?

  11. Rate Gone Girl on a scale of 1 to 5.
http://bestsellers.about.com/od/bookclubquestions/a/Gone-Girl-By-Gillian-Flynn-Book-Club-Discussion-Questions.htm


1. Consider Amy and Nick Dunne as characters. Do you find them sympathetic...at first? Talk about the ways each reveals him/herself over the course of the novel. At what point do your sympathies begin to change (if they do)?

2. Nick insists from the beginning he had nothing to do with Amy's disappearance. Did you believe him, initially? When did you begin to suspect that he might have something to do with it? At what point did you begin to think he might not?

3. How would you describe the couple's marriage? What does it look like from the outside...and what does it look like from the inside? Where do the stress lines fall in their relationship?

4. On their fifth anniversary, Nick wonders, "What have we done to each other? What will we do?" Is that the kind of question that might present itself in any marriage? Yours? In other words, does this novel make you wonder about your own relationship? And can you ever truly know the other person?

5. Amy and Nick lie. When did you begin to suspect that the two were lying to one another...and to you, the reader? Why do they lie...what do they gain by it?

6. Do you find the Gillian Flynn's technique of alternating first-person narrations compelling...or irritating. Would you have preferred a single, straightforward narrator? What does the author gain by using two different voices?

7. A skillful mystery writer knows which details to reveal and when to reveal them. How much do you know...and when do you know it? In other words, how good is Flynn at burying her clues in plain sight? Now that you know how the story plays out, go back and pick out the clues she left behind for you.

8. Flynn divides her narrative into two parts. Why? What are the difference between the two sections?

9. In what way does Amy's background—her parents' books about her perfection—affect her as an adult?

10. The Dunnes move to North Carthage, near Hannibal, the home of Mark Twain. How has Tom Sawyer been worked into Gone Girl...and why? What does that extra-textual detail add to the story?

11. Did you suspect Nick's big secret? Were you surprised—shocked—by it? Or did you have an inkling?

12. Does Amy try hard enough to like North Carthage? Or is she truly a duck out of water, too urbane to ever fit into a small, Midwestern town?

13. What are Amy's treasure hunts all about? Why does she initiate them for Nick?

14. Critics, to a one, talk about the book's dark humor and author's wit. What passages of the book do you find particularly funny?

15. Movie time: who would you like to see play what part?

http://www.litlovers.com/reading-guides/13-fiction/8836-gone-girl-flynn?start=3

1. Do you like Nick or Amy? Did you find yourself picking a side? Do you think the author intends for us to like them? Why or why not?

2. Does the author intend for us to think of Nick or Amy as the stronger writer? Do you perceive one or the other as a stronger writer, based on their narration/journal entries? Why?

3. Do you think Amy and Nick both believe in their marriage at the outset?

4. Nick, ever conscious of the way he is being perceived, reflects on the images that people choose to portray in the world—constructed, sometimes plagiarized roles that we present as our personalities. Discuss the ways in which the characters—and their opinions of each other—are influenced by our culture’s avid consumption of TV shows, movies, and websites, and our need to fit each other into these roles.

5. Discuss Amy’s false diary, both as a narrative strategy by the author and as a device used by the character. How does the author use it to best effect? How does Amy use it?

6. What do you make of Nick’s seeming paranoia on the day of his fifth anniversary, when he wakes with a start and reports feeling, You have been seen?

7. As experienced consumers of true crime and tragedy, modern “audiences” tend to expect each crime to fit a specific mold: a story, a villain, a heroine. How does this phenomenon influence the way we judge news stories? Does it have an impact on the criminal justice system? Consider the example of the North Carthage police, and also Tanner Bolt’s ongoing advice to Nick.

8. What is Go’s role in the book? Why do you think the author wrote her as Nick’s twin? Is she a likable character?

9. Discuss Amy’s description of the enduring myth of the “cool girl”—and her conviction that a male counterpart (seemingly flawless to women) does not exist. Do you agree? Why does she assume the role if she seems to despise it? What benefit do you think she derives from the act?

10. Is there some truth to Amy’s description of the “dancing monkeys”—her friends’ hapless partners who are forced to make sacrifices and perform “sweet” gestures to prove their love? How is this a counterpoint to the “cool girl”?

11. What do you think of Marybeth and Rand Elliott? Is the image they present sincere? What do you think they believe about Amy?

12. How does the book deal with the divide between perception and reality, or between public image and private lives? Which characters are most skillful at navigating this divide, and how?

13. How does the book capture the feel of the recession—the ending of jobs and contraction of whole industries; economic and geographical shifts; real estate losses and abandoned communities. Are some of Nick and Amy’s struggles emblematic of the time period? Are there any parts of the story that feel unique to this time period?

14. While in hiding, Amy begins to explore what the “real” Amy likes and dislikes. Do you think this is a true exploration of her feelings, or is she acting out yet another role? In these passages, what does she mean when she refers to herself as “I” in quotes?

15. What do you think of Amy’s quizzes—and “correct” answers—that appear throughout the book? As a consistent thread between her Amazing Amy childhood and her adult career, what does her quiz-writing style reveal about Amy’s true personality and her understanding of the world?

16. Do Nick and Amy have friends? Consider Nick’s assurance that Noelle was deluded in her claims of friendship with Amy, and also the friends described in Amy’s journal. How “real” are these friendships? What do you think friendship means to each of them?

17. What was the relationship between Amy and Nick’s father? Do you think the reader is meant to imagine conversations between the two of them? Why does Nick’s father come to Nick and Amy’s home?

18. Amy publicly denounces the local police and criticizes their investigation. Do you think they did a good job of investigating her disappearance? Were there real missteps, or was their failing due to Amy’s machinations?

19. Do you believe Amy truly would have committed suicide? Why does she return?

20. Were you satisfied with the book’s ending? What do you think the future holds for Nick, Amy, and their baby boy?

September 2013 Book: Beatrice & Virgil

For September 2013, Cass has picked "Beatrice and Virgil" for our reading pleasure.


ABOUT THE BOOK
Beatrice and Virgil is Canadian writer Yann Martel's third novel. First published in April 2010, it contains an allegorical tale about representations of the Holocaust. It tells the story of Henry, a novelist, who receives the manuscript of a play in a letter from a reader. Intrigued, Henry traces the letter to a taxidermist, who introduces him to the play's protagonists, two taxidermy animals—Beatrice, a donkey, and Virgil, a monkey.


The Globe and Mail reported that Martel received a $2 million advance from Random House for U.S. rights alone, and that the total advance for worldwide rights was around $3 million, probably the highest ever advance for a single Canadian novel.[1] Martel's earlier novel, Life of Pi, won the 2002 Man Booker Prize for Fiction, and sold seven million copies worldwide.

The title is an allusion to two of the main characters in Dante Alighieri's Divine Comedy.

http://en.wikipedia.org/wiki/Beatrice_and_Virgil

Wednesday, July 17, 2013

Certain Women book discussion questions

Certain Women explores the sensitive issue of death and, more specifically, the fear of dying with unresolved issues. In this novel (which I did not finish), Emma Wheaton disrupts her successful stage career to be with her dying father, David Wheaton. David is also an actor, having performed in a number of plays during his long career. However, he is obsessed with the one play he never got to do – an unfinished play about the Old Testament King David, written by Emma’s estranged husband, Nik.

As David Wheaton’s nine wives and eleven children gather to say their final goodbyes to David, the stories of both him and King David are simultaneously woven together and unraveled.  Since Emma is the main female protagonist, the novel focuses on her upbringing and experiences being raised by the great actor that was David Wheaton.  As she is surrounded by her extended and eclectic family, painful memories resurface that begin to allow her to confront her past and start the process of healing.  As David Wheaton faces his approaching death, Emma grapples with her future.

 http://crazy-for-books.com/2011/02/faith-n-fiction-roundtable-discussion-certain-women-by-madeleine-lengle.html

- Were there too many characters to keep track of and was it difficult to follow the author’s shift from King David to David Wheaton?
- First, if you died today, is there anything left unresolved in your life that you would regret?
- So, can anyone be redeemed, regardless of what he or she has done, as long as they atone for their sins?
- If a person has wronged you in a devastating way, how can we truly just forgive and move on?

Monday, July 15, 2013

August 2013 book: Gone Girl



Becky has picked "Gone Girl"
by Gillian Flynn for our August 2013 read.

"I've heard it is really good and just heard they are going to be making a movie," explained Becky.

ABOUT THE BOOK
Marriage can be a real killer.
   One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
   On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
   As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
   With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

Friday, July 12, 2013

July 2013 book: Certain Women



Amy has picked "Certain Women" by Madeleine L'Engle for our July 2013 book. It's a book she's read before and she's always wanted to chat about it with others.

 ABOUT THE BOOK

From Library Journal

In Certain Women , terminally ill David Wheaton, a prominent and much-married American actor, obsessively recalls an unfinished play about King David, a role he coveted. L'Engle explores Christian faith, love, and the nature of God by framing the delayed-maturation story of Emma, Wheaton's daughter, within three subplots: the Wheaton family saga, the story of King David, and the history of the play's development. The characterizations of both Davids are compelling, but the primary interest here is the community of women that surrounds each man. L'Engle describes complex truths very simply, pointing out, for instance, that "Life hurts" and that if there's "no agony, there's no joy." Because she also details the emotional cost of discovering and accepting such concepts, many readers will find these observations memorable rather than simplistic. Appropriate for all but the smallest general collections. Previewed in Prepub Alert, LJ 6/15/92.
- Jane S. Bakerman, Indiana State Univ., Terre Haute

From Publishers Weekly

"Marrying was a habit with me, a bad habit," David Wheaton declares from his deathbed in this disappointing novel by the Newbery Award-winning CK author of A Wrinkle in Time . As the 87-year-old actor's boat plies the waters of the Pacific Northwest, Wheaton looks back on his life with eight wives and 11 children. Also on board is his devoted daughter Emma, stunned by the imminence of her father's death and by the recent dissolution of her marriage to a playwright whose drama about King David and his wives provides the framework for L'Engle's relentless analogies between the Old Testament monarch and the modern-day actor. Recasting the biblical tale as a meditation on love and marriage, L'Engle piles on literary references: David met Emma's mother while making a film version of The Mill on the Floss , named their daughter after the heroine of Madame Bovary and calls his boat the Portia . But name-dropping does not a work of literature make. The epigraph from St. Luke--"Certain women made us astonished"--is not borne out by these two-dimensional characters, who don't astonish in the least as they speak and act by formula. The heavy-handed biblical subtext overwhelms rather than enhances the contemporary drama. ( Oct.

Wednesday, May 22, 2013

Spirit Car book discussion questions

DISCUSSION QUESTIONS:
 
1. Compare what you learned in school about the 1862 Dakota War to the way this story unfolds. What, if anything, has changed in your understanding of this event?
 
2. How might the author’s life have been different if she had had a strong sense of her Dakota heritage as a child?
 
3. Whose story is the author telling? For whom is she writing the story?
 
4. What impact is achieved by the Dakota Indian history being told through personal family stories? How is the effect different from reading about the same events in a history book?
 
5. Would Lucille’s life likely have been
better or more difficult without her boarding school experiences? What do
you think the boarding schools represented to the Dakota Indian families? 
 
6. Talk about what the author means when she talks about riding in
her spirit car. Have you ever had a similar
experience in connecting with the past?
 
7. Give examples of when the author uses
humor in the book. What role does humor play?
 
8. What is the biggest loss the author is writing about? Discuss the various losses documented in the book. 
 
9. The last sentence of the book is the author’s response to her mother, Lucille: “Yes, I think things are changing for the better.” What do the author and Lucille mean by this statement?
 
10. In thinking about your own family, do you know how and wh y they came to America (if non-Native)? Do you know of any significant history your family members lived through, such as wars or depressions or world-changing inventions like the telephone?
 
11. What is the value of understanding and having connection
to one’s family over several generations? How might
learning about something significant and troubling in your family’s history change you?
 
12. The book jacket describes the book as a counterpoint of memoir and carefully researched fiction. What is your understanding of the term “carefully researched fiction ”, and do you think this technique adds or detracts from the cohesiveness of the book? Do the stories we tell about our own lives incorporate some degree of fiction?
 
From http://www.thefriends.org/assets/documents/spirit-car.pdf

Q. What are you currently writing?
The next book will be a progression of some of the themes in
Spirit Car, although it won’t be a family
memoir. I found myself wondering, when a
person/community has done the work of reclaiming
cultural identity, what’s next? How do you restore
what was lost, how do you heal the traumas of the
past, how do you assume responsibility for the
knowledge that was given? I believe the answer to
those questions is closely tied to our relationship to
the land, to the earth.
 
Q. What do you hope your readers take away from reading this book?
People have told me that reading a family story has
helped them understand Native history because they
can relate to events on a personal level rather than at
a state or national level, as history is often written. I
hope they see how the past lives on in the present,
how an event like the 1862 Dakota War in Minnesota
is very much a part of our contemporary lives. I also
hope they see the beauty and wonder of their own
family stories and how much we’re shaped by the
generations who came before us