Amy has picked Divergent by Veronica Roth for us to read in June 2014. It's a book that's getting a lot of attention lately, and was just released in March 2014 as a movie.
ABOUT THE BOOK
In Beatrice Prior’s dystopian Chicago world, society is divided into
five factions, each dedicated to the cultivation of a particular
virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the
brave), Amity (the peaceful), and Erudite (the intelligent). On an
appointed day of every year, all sixteen-year-olds must select the
faction to which they will devote the rest of their lives. For Beatrice,
the decision is between staying with her family and being who she
really is—she can’t have both. So she makes a choice that surprises
everyone, including herself.
During the highly competitive
initiation that follows, Beatrice renames herself Tris and struggles
alongside her fellow initiates to live out the choice they have made.
Together they must undergo extreme physical tests of endurance and
intense psychological simulations, some with devastating consequences.
As initiation transforms them all, Tris must determine who her friends
really are—and where, exactly, a romance with a sometimes fascinating,
sometimes exasperating boy fits into the life she's chosen. But Tris
also has a secret, one she's kept hidden from everyone because she's
been warned it can mean death. And as she discovers unrest and growing
conflict that threaten to unravel her seemingly perfect society, she
also learns that her secret might help her save those she loves . . . or
it might destroy her.
Debut author Veronica Roth bursts onto the
YA scene with the first book in the Divergent series—dystopian
thrillers filled with electrifying decisions, heartbreaking betrayals,
stunning consequences, and unexpected romance.
Biography
Veronica Roth was born in a Chicago suburb, and studied
creative writing at Northwestern University. She and her husband
currently live in the city that inspired the setting of the Divergent
Trilogy.
A Q&A with Author Veronica Roth
Q: What advice would you offer to young aspiring writers, who long to live a success story like your own?
Roth:
One piece of advice I have is: Want something else more than success.
Success is a lovely thing, but your desire to say something, your worth,
and your identity shouldn’t rely on it, because it’s not guaranteed and
it’s not permanent and it’s not sufficient. So work hard, fall in love
with the writing—the characters, the story, the words, the themes—and
make sure that you are who you are regardless of your life
circumstances. That way, when the good things come, they don’t warp you,
and when the bad things hit you, you don’t fall apart.
Q:
You’re a young author--is it your current adult perspective or
not-so-recent teenage perspective that brought about the factions in the
development of this story? Do you think that teens or adults are more
likely to fit into categories in our current society?
Roth:
Other aspects of my identity have more to do with the factions than my
age. The faction system reflects my beliefs about human nature—that we
can make even something as well-intentioned as virtue into an idol, or
an evil thing. And that virtue as an end unto itself is worthless to us.
I did spend a large portion of my adolescence trying to be as “good” as
possible so that I could prove my worth to the people around me, to
myself, to God, to everyone. It’s only now that I’m a little older that I
realize I am unable to be truly “good” and that it’s my reasons for
striving after virtue that need adjustment more than my behavior. In a
sense,
Divergent is me writing through that
realization—everyone in Beatrice’s society believes that virtue is the
end, the answer. I think that’s a little twisted.
I think we all
secretly love and hate categories—love to get a firm hold on our
identities, but hate to be confined—and I never loved and hated them
more than when I was a teenager. That said: Though we hear a lot about
high school cliques, I believe that adults categorize each other just as
often, just in subtler ways. It is a dangerous tendency of ours. And it
begins in adolescence.
Q: If you could add one more faction to the world within
Divergent, what would it be?
Roth:
I tried to construct the factions so that they spanned a wide range of
virtues. Abnegation, for example, includes five of the traditional
“seven heavenly virtues:” chastity, temperance, charity, patience, and
humility. That said, it would be interesting to have a faction centered
on industriousness, in which diligence and hard work are valued most,
and laziness is not allowed. They would be in constant motion, and would
probably be happy to take over for the factionless. And hard-working
people can certainly take their work too far, as all the factions do
with their respective virtues. I’m not sure what they would wear,
though. Overalls, probably.
Q: What do you think are the advantages, if any, to the society you’ve created in
Divergent?
Roth:
All the advantages I see only seem like advantages to me because I live
in our current society. For example, the members of their society don’t
focus on certain things: race, religion, sexual orientation, political
affiliation, etc. I mean, a world in which you look different from the
majority and no one minds? That sounds good to me. But when I think
about it more, I realize that they’re doing the exact same thing we do,
but with different criteria by which to distinguish ourselves from
others. Instead of your skin color, it’s the color of your shirt that
people assess, or the results of your aptitude test. Same problem,
different system.
Q: What book are you currently reading and how has it changed you, if at all?
Roth: I recently finished
Imaginary Girls
by Nova Ren Suma, which I would call “contemporary with a paranormal
twist,” or something to that effect. It’s about a girl whose sister has a
powerful kind of magnetism within the confines of a particular town,
and how their love for each other breaks some things apart and puts
other things back together. It was refreshing to read a young adult book
that is about sisterhood instead of romance. It’s one of those books
that makes you love a character and then hate a character and then love
them again—that shows you that people aren’t all good or all bad, but
somewhere in between.
Imaginary Girls gave me a lot to think about, and the writing was lovely, which I always love to see.